Human Stories

The Untold Chapter

Satoshi Tajiri, Ken Sugimori, Junichi Masuda — Three men who built the highest-grossing media franchise in history by spending six years on the edge of bankruptcy.

1990–1996 — Tokyo, Game Freak Inc.

A Quiet Light

Graeme Norgate — The composer who left a bank to write music for games, and whose work is remembered by millions.

April 1994 — Twycross, Leicestershire

A Quiet Light

Toshiaki Sakoda — The composer who brought heavy metal to the chip — not to prove it could be done, but because the sound in his head demanded it.

1990 — Somewhere, someone turned on MUSHA

The Score You Were Not Meant to Follow

Junichi Nakatsuru — The composer who has shaped the sound of SoulCalibur for over two decades.

1998 — Namco headquarters, Tokyo

The Wall That Stayed

Takashi Iizuka — The director who took Sonic from two dimensions to three, and carried the weight of that crossing for decades.

1999 — San Francisco, Sonic Team USA

The Boy Who Learned Rock from MTV

Jun Senoue — The guitarist who taught himself rock in Panama and brought it to Sonic.

1985 — Panama City

The Man Who Brought Jazz to the Sky

Yutaka Minobe — He studied jazz piano, failed to make it pay, and brought jazz phrasing to game music instead.

1996 — Yokohama

The Engineer Who Wrote Music

Kazuo Sawa — The man who wrote sound drivers in assembler while composing melodies at the same time.

1986 — Tokyo, Technos Japan

The Sound Between Two Worlds

Soyo Oka — The composer who brought classical training to racing games, and racing games to classical music.

1987 — Kyoto, Nintendo Headquarters

The Instrument He Built

Keiji Yamagishi — The composer who built the sound driver first, then wrote the songs it wanted to sing.

1987 — Tecmo, Tokyo

The Sound of Darkness

Tsukasa Masuko — The composer who brought darkness to a place where everyone else was writing bright melodies.

September 1987 — Tokyo, Atlus

The Weight of Silence

Makoto Tomozawa — The composer who taught horror games that silence can be heavier than sound.

March 22, 1996 — Tokyo, Capcom

The Composer Who Built Two Worlds

Shusaku Uchiyama — The composer who scored both the bright machinery of Mega Man 8 and the quiet dread of Resident Evil 2.

1995 — Osaka to Tokyo, Capcom HQ

The Composer Who Left No Record

Mari Yamaguchi — The woman who composed Mega Man 5, then vanished from the credits — until she returned, seventeen years later, with one song.

1992–2010 — Capcom Sound Team

A Quiet Light

Hidenori Maezawa — The Konami composer who designed the VRC6 sound chip and never stopped working within constraints.

January 2009 — Tokyo, Twenty Years Later

A Quiet Light

Naofumi Hataya — The Sega composer who made music that knew when to step back.

1993–1998 — Sega, Tokyo

A Quiet Light

Yoshio Sakamoto — The Nintendo designer who kept the Metroid flame burning for forty years.

1986 — Nintendo R&D1, Kyoto

A Quiet Light

Keiichi Suzuki — The Moonriders founder who turned hardware limits into a bass drum sound no one had heard before.

1988 — Tokyo

A Quiet Light

Naoki Kodaka — The Sunsoft composer who spent his spare time in arcades, and turned that passion into some of the Famicom's most enduring soundtracks.

1982–2002 — Aichi to Tokyo, Arcades to Classrooms

The Man Who Built Shadows

Shinichi Shimomura — The director who put loneliness into a world built for children, then walked away without saying where he went.

1995–2002 — HAL Laboratory, Yamanashi

The Song That Crossed Over

Takeo Miratsu — The composer who won on stage, then wrote melodies that lived inside games.

1979–2006 — From the Contest Hall to the Screen

The One Who Stayed

Tamayo Kawamoto — A composer who stayed long enough to see game music grow from background noise into art.

1984 — Tokyo, Capcom

Twenty Years in One Room

Yoshito Hirano — The composer who stayed in one studio for over twenty years — not because he had to, but because he chose to keep building.

May 2024 — Kyoto, Intelligent Systems

The Man Who Kept Making It

Hiromichi Tanaka — The Square designer who dropped out to make Final Fantasy, and kept making games until his body could no longer carry him.

Late 2010 — Tokyo, Square Enix

The Man Who Writes Endings

Hidenori Shoji — The Sega composer who changed how he worked after a single piece of feedback.

2004 — Sega, Tokyo

The Sound No One Hears Alone

Masanobu Tsukamoto — The sound designer who spent three days making thunder, and a lifetime making worlds feel alive.

1990 — Compile Studio, Somewhere in Japan

The Sound Team That Named Itself After a Wave

Konami Kukeiha Club — The sound team that decided to step into the light, carrying the name of a square wave.

1987 — Konami, Tokyo

A Quiet Light

Tsukasa Tawada — The composer who found silence louder than sound, and kept working in the shadows long after the spotlight moved on.

1987 — Jaleco, Tokyo

A Quiet Light

Hirokazu Ando — The composer who has been writing Kirby's voice for over thirty years.

1991 — Yamanashi, HAL Laboratory

A Quiet Light

Hajime Wakai — The composer who gave voice to creatures who could not speak, and chose silence when it spoke louder than music.

2001 — Kyoto, Nintendo EAD Sound Studio

The Man Who Built the Small Sounds

Masanobu Tsukamoto — The sound designer who made worlds feel inhabited.

1991–1996 — Compile, Tokyo

The Voice That Was Never Supposed to Stay

Takenobu Mitsuyoshi — The Sega composer who recorded a scratch vocal for Daytona USA — and never got replaced.

1993 — Sega AM2 Division, Tokyo

The Man Who Built His Tools

Akito Nakatsuka — The Nintendo composer who wrote music and wrote the system that played it — because the tools weren't good enough.

1986 — Nintendo R&D, Kyoto

The Woman Who Programmed Music

Harumi Fujita — The composer who made music with hexadecimal code when there were no tools.

1984 — SNK, Osaka

The Sound That Stayed, the Name That Left

Jun Funahashi — The Konami composer who built sound drivers, wrote half a soundtrack, and left no interviews.

1989 — Konami's sound lab, Tokyo

The Composer Who Disappeared

Yuko Takehara — The woman who composed the sound of Capcom's golden age, and then vanished.

1992–1999 — Capcom Sound Team

The Composer with Seven Names

Junko Tamiya — A composer who left no trace of herself, only the music that millions remember.

1987–1992 — Osaka to Tokyo

The Untold Chapter

Kouji Murata — The composer whose name was not in the credits, but whose melodies never left.

1992–1994 — Minakuchi Engineering, Japan

A Quiet Light

Eveline Fischer — The composer who learned to write music in hexadecimal, and became the voice in the dark.

1993 — Twycross, England

A Quiet Light

Toshihiko Horiyama — The composer who worked at a desk, in a room no one entered, and built a career from the spaces no one else would fill.

1993 — Osaka, Capcom

A Quiet Light

Yoko Shimomura — The composer who wrote every feeling a game could hold — from a fighter's stage to a faraway shore.

1988 — Osaka, Japan

The Man Who Translated Sound

Kouji Murata — The composer who made handheld music when no one knew how.

1992 — A subcontractor's desk, somewhere in Japan

Four Channels

Kozue Ishikawa — The composer who shaped the Game Boy's sound and left no interviews behind.

1993 — Kyoto, Nintendo R&D1

The Man Who Made Punk and Arabic Hold Each Other Up

Kenichi Tokoi — The Sega composer who joined with a demo tape in 1996 and never stopped finding new sounds by making unlikely things support each other.

1996 — Tokyo, a demo tape and an open door

Never Played a Game

Miki Higashino — The music student who composed Suikoden without ever playing video games.

1983 — A music student walks into Konami's office

The Sound of Speed and the Sea

Kenta Nagata — The Nintendo composer who turned laps and open ocean into music people would hum for decades.

1996 — Kyoto, Nintendo EAD

The Composer Who Never Played

Noriyuki Iwadare — The game composer who shaped journeys he had never played himself.

1997 — Tokyo, the Night Before the Audition

The Fifty Genres

Toru Minegishi — The Nintendo composer who wrote fifty different genres for a dog playing guitar.

1999 — Tokyo, Nintendo EAD Sound Group

The Composer Whose Name Changed

Shinobu Nagata (née Tanaka) — A Nintendo composer who built worlds in collaboration, one island beach at a time.

2000–2012 — Nintendo Sound Team

The Sound of the Decision

Graeme Norgate — The composer who left a bank to write the music generations would remember.

April 1994 — Twycross, Leicestershire

The Sound That Demanded to Be Heard

Toshiaki Sakoda — The composer who brought heavy metal to the chip — not to prove it could be done, but because the sound in his head demanded it.

December 1990 — Tokyo, Compile

Making It Scream

Howard Drossin — The composer who made a 1988 sound chip play rock music in 1995.

1995 — Redwood Shores, California

Boundary Rewriter

Hidenori Maezawa — The composer who could not play instruments, so he designed the chip instead.

1986–1989 — Kobe, Konami

The Composer Who Did Not Want Music

Naofumi Hataya — The man who composed Sonic CD's dreamlike soundtrack — though he never planned to make music at all.

1993 — Sega Sound Department, Tokyo

The Hundred Songs He Did Not Use

Keiichi Suzuki — The musician who wrote a hundred songs for one game and chose which ones to leave silent.

1989 — Tokyo, working on MOTHER

A Quiet Light

Kazuhiko Aoki — The man who turned the Dream Team's year of talk into a finished game.

1993 — Tokyo, Square headquarters

A Quiet Light

Hiroyuki Ito — The man who designed the tension every Final Fantasy player has felt — the gauge filling, the moment disappearing.

1991 — Tokyo, Square Headquarters

A Quiet Light

Takashi Tokita — The man who came to Tokyo to be an actor, and spent years typing sprites into a machine instead.

1983 — Tokyo, Japan

Fifty Thousand, Eight Hundred Million

Kazutaka Kodaka — The creator of Danganronpa, who left his own success behind to take responsibility for what he makes.

2010–2017 — Tokyo, Small Team to Independence

The Sound of What Is Not There

Minako Hamano — The Nintendo composer who wrote the theme that plays when silence itself becomes a predator.

1991 — Kyoto, Nintendo R&D1

The Sound of Shadows

Tsukasa Tawada — The composer who brought darkness to Pokémon, and made silence sound like danger.

2003 — Genius Sonority, Tokyo

The Man Who Built the Team

Masafumi Miyamoto — The founder of Square who believed that games should be made by teams of artists, writers, and programmers.

September 1986 — Yokohama, Japan

The Dream That Needed a Plumber

Kazuhiko Aoki — The producer who turned a year of daydreaming into a game that fifty people could finish.

1993 — Square headquarters, Tokyo

The Man Who Watched the Race

Hiroyuki Ito — The designer who turned Formula 1 racing into the heartbeat of Final Fantasy.

1990 — Tokyo, Square headquarters

The Stage He Never Found

Takashi Tokita — He went to Tokyo to be an actor and spent years typing sprites into a machine instead. The stories he wanted to tell were just waiting for a different stage.

1983–1994 — From Tokyo Theater to Seven Stories

A Quiet Light

Fumie Kumatani — The composer who shaped the sound of NiGHTS and Sonic — and left when the work was done.

1996 — Sega Saturn, first year at Sonic Team

A Quiet Light

Masaharu Iwata — The composer who shaped tactical RPG soundscapes from the shadows.

1987 — Tokyo, Bothtec office

A Quiet Light

Grant Kirkhope — A classically trained trumpet player who found his voice in the memory constraints of the Nintendo 64.

October 1995 — Twycross, England

The Untold Chapter

Shoji Meguro — The composer who gave Persona its voice, then walked away to write his own story.

September 2021 — Tokyo, Atlus headquarters

The Sound No One Noticed

Tatsuyuki Maeda — The man who made Sega sound like Sega, one blip at a time.

1992–1996 — Sega of Japan, Sound Effects Department

A Quiet Light

Jun Ishikawa — The man who taught himself to compose for the NES by watching — and went on to define the sound of Kirby.

1990 — HAL Laboratory, Yamanashi

A Quiet Light

Hitoshi Sakimoto — The composer who wrote symphonies in the language of computers.

1997 — Square, Tokyo

A Quiet Light

David Wise — The man who made underwater levels feel like places you wanted to stay.

1985 — A music shop in Leicester

The Untold Chapter

Isao Okawa — The chairman who gave everything he owned to save the company one last time.

March 2001 — Tokyo

A Quiet Light

Motoi Sakuraba — The keyboard player who brought baroque structure to video game music.

1989 — Tokyo, a small studio at Wolf Team

A Quiet Light

Norio Hanzawa — The composer who made three sound channels roar.

1992 — Tokyo, Konami to Treasure

The Brain in the Cartridge

1981 — Epoch, Tokyo

A Quiet Light

Yuzo Koshiro — A composer who learned music not from written scores, but by trusting the ear before the eye.

1967–1990 — From Hisaishi's Studio to FM Synthesis

The Man Who Gave Voice to the Voiceless

Hajime Wakai — The composer who spoke for creatures who could not speak, and wrote music for worlds that did not yet exist.

2001 — Kyoto, Nintendo

One Week to Learn What a Game Is

Eveline Fischer — The first in-house musician at Rare, who composed most of Donkey Kong Country 3 and voiced the agent the world came to know as Joanna Dark.

1993 — Twycross, Leicestershire, England

The One Who Filled In

Toshihiko Horiyama — The composer who filled in wherever the regular composer was absent, and always found the sound that belonged.

1993–Present — Capcom, Osaka

The Room the President Could Not Enter

Sega AM2 Development Team — The studio that locked its doors, turned military flight-sim chips into arcade hardware, and taught the world how 3D should move.

Early 1990s — Sega, Japan

Thirty Years at One Place

Tatsuyuki Maeda — A composer who built different worlds from the same desk for thirty years.

1992–2023 — Sega of Japan, Tokyo

The Engineer Who Taught Strategy How to Sing

Yuka Tsujiyoko — The composer who joined as a sound programmer, not a musician, and built the voice of Fire Emblem from the inside out.

April 1990 — Kyoto, Intelligent Systems

The Man Who Had to Ask for His Own Name

Kenji Ito — The composer who wrote music that defined a generation, then had to fight to be recognized as its author.

1990–2001 — Tokyo, Square headquarters

The Sound That Found Its Place

Robin Beanland — A composer who worked for film and television, then walked into a small game studio in the English countryside and never left.

1994 — Twycross, Leicestershire

A Quiet Light

Kazuma Kaneko — The illustrator who researched every demon in its original mythology before drawing it.

1987–2009 — Tokyo, Atlus

A Quiet Light

Michiru Yamane — The composer who made a castle feel alive by listening to drawings.

1997 — Tokyo, Konami

A Quiet Light

Koji Igarashi — The man who took the unfinished project and quietly finished it — then watched as a whole genre learned to speak its name.

1996 — Konami HQ, Tokyo

The Perfect Translation

Hisao Oguchi — The man who named his studio Hitmaker — because it was the perfect translation of their image.

April 21, 2000 — Tokyo, Sega Corporation

The Distance from Three

Fumie Kumatani — The Sega composer who gave Shadow the Hedgehog a voice — and vanished.

1975–2010 — Tottori to Tokyo, then silence

Two Weeks, Then Nothing

Jun Ishikawa — The man who learned to compose for the NES in two weeks — because that was all the time he had.

1990 — HAL Laboratory, Tokyo

The Man Who Coded Sound

David Wise — The composer who built his own instruments out of code and constraint.

1994 — Twycross, England

Three Channels, One Roar

Norio Hanzawa — The composer who made three sound channels scream louder than orchestras with a hundred instruments.

September 1993 — Treasure's First Summer

The Man Who Made Misery Fun

Akira Sakuma — The man who turned two hundred million yen of publishing debt into twenty-five games and nineteen million players.

1985 — Tokyo, Japan

A Quiet Light

Eiji Aonuma — The man who kept a secret from his mentor until it was too late to turn back.

2001 — Kyoto, Nintendo

The Sound That the Game Makes

Hirokazu Tanaka — The composer who built the sound chip, then filled it with music that no one had heard before.

1986 — Kyoto, Nintendo

Cut Everything

Masayuki Uemura — The engineer who was told to strip everything out, and what remained became something the whole world could hold.

November 1981 — Kyoto, a phone call after hours

A Quiet Light

Satoru Iwata — The man who never stopped listening, even when his title said he no longer had to.

March 2011 — Tokyo, Nintendo headquarters

A Quiet Light

Yoshinori Kitase — The director who believed that a game could make you cry—and built the proof.

1966–1997 — From film school to the game that made players cry

The Sound Hardware Never Promised

Yuzo Koshiro — The composer who brought techno to a chip that was never designed for it.

1992 — Tokyo, Ancient Corp.

A Quiet Light

Hideo Kojima — The director who made a game about not being seen, and changed what action games could be.

1987 — Konami, Tokyo

A Quiet Light

Kazunori Yamauchi — A music producer who wrote a proposal that became a racing game, then learned to drive by building its physics.

December 1992 — Tokyo, Sony Music Entertainment

A Quiet Light

Yu Suzuki — The man who asked the cleaning lady to play his game, because if she couldn't understand it, he hadn't finished it yet.

1993 — Sega AM2, Tokyo

A Quiet Light

Gunpei Yokoi — The engineer who handed out light to strangers, one child at a time.

Late 1980s — Nintendo Headquarters, Kyoto

The Chapter They Don't Tell

Hiroshi Yamauchi / Gunpei Yokoi — One who bet everything on new ventures. One who tinkered with toys in a factory hallway.

1964 — Kyoto, a playing card company faces extinction

A Quiet Light

Satoshi Tajiri — The man who created Pokémon, then stepped back and let it grow beyond him.

2010 — Tokyo, Game Freak Headquarters

A Quiet Light in the Morning Hours

Yasunori Mitsuda — The composer who worked until his body stopped, and the music that survived him.

1994–1995 — Tokyo, Square's Sound Room

A Quiet Light

Hironobu Sakaguchi — The man who lost everything on a film — and then, quietly, started again.

2004 — Honolulu, Hawaii

A Quiet Light

Kinuyo Yamashita — The composer who left a name on a hundred million screens, then walked away to find her own light.

1989 — Konami, Ōme, Tokyo

A Quiet Light

Masahiro Sakurai — The nineteen-year-old who saved his company by making a game anyone could finish.

1992 — Yamanashi, HAL Laboratory

The Man Who Rewrote the Rules of Battle

Toshiro Tsuchida — The director who designed battles — from wanzers to Final Fantasy.

Fall 1993 — Tokyo, Square headquarters

A Quiet Light

Ken Sugimori — The illustrator who gave every one of the first 151 Pokémon its final face.

1981–1996 — From Fanzine to Franchise

The Story Written in the Dark

Yoshiaki Koizumi — The Nintendo director who wrote stories when no one was looking.

2007 — Kyoto, Nintendo

The Company That Never Made Its Own Games

Yasuhiro Fukushima / Enix Corporation — The company that found the people who could make games, instead of making them.

1982 — Tokyo, a tabloid publisher's decision

A Quiet Light

Kazumi Totaka — The composer who left a quiet signature in almost every game he touched.

1990 — Nintendo R&D1, Kyoto

The Untold Chapter

Nobuo Uematsu — A self-taught keyboardist who never studied composition, and became the voice that defined a generation of games.

1986 — Meguro, Tokyo, Square headquarters

A Quiet Light

Shigeru Miyamoto — The man who carries a tape measure in his pocket and estimates everything around him.

1963–present — From a cave with a lantern to a pocket tape measure

One Condition

Hiroshi Yamauchi — The president who commanded the Famicom into being.

Kyoto, 1949 — a twenty-one-year-old takes the company, and asks for it cleared of his own family.

The King Who Never Played

Hiroshi Yamauchi — The president who commanded the Famicom into being.

He gave a generation its games, and kept none of it for himself.

The Heart of a Gamer

Satoru Iwata — The man who cut his own salary rather than cut the people who made the games he loved.

2011 & 2014 — Nintendo, Kyoto

The Game About Connection

Junichi Masuda — The man who composed the music for a game about connection — that connected two hundred million people.

1996 — Tokyo, Game Freak

The Machine That Only Wanted to Play

Nintendo GameCube — 2001–2007 — a small cube that refused to be anything but a game console

The GameCube came last in its generation. Two decades later, that stopped being the story.

The Trumpet Player Who Made Children Laugh

Grant Kirkhope — The composer who spent his twenties in an orchestra pit and his thirties making Nintendo 64 games sound like joy.

1997 — Rare Ltd, Twycross, England

The Woman Who Wrote Every Feeling

Yoko Shimomura — The composer who wrote for every genre, every emotion — and redrew the map each time.

1991 — Osaka to Capcom's Studio, Tokyo

The Programmer Who Wrote Orchestras

Hitoshi Sakimoto — The composer who learned music by writing code, and never stopped thinking like a programmer.

2000 — Tokyo, Square Enix headquarters

The Prog Rocker Who Scored Dark Souls

Motoi Sakuraba — A keyboard player who went from prog rock stages to the choir-soaked darkness of Dark Souls.

1989 — Tokyo, the last bar gig

One Hundred and Fifty-One, by Hand

Ken Sugimori — The illustrator who designed the original 151 Pokémon almost single-handedly.

1990–1996 — Kanda, Tokyo

The Castle That Changed Its Voice

Michiru Yamane — The composer who made Dracula's castle feel like a living place by giving each wing its own musical language.

March 1997 — Tokyo, Konami

The Same Care for the Weakest and the Strongest

Akira Toriyama — The manga artist who designed the weakest enemy in Dragon Quest with the same care he gave the hero.

1985 — Tokyo, Shueisha Headquarters

The City That Lived

Masayoshi Kikuchi — The director who made a city breathe, without having directed anything before.

June 2000 — Tokyo, Sega Smilebit

The Castle That Folds Inward

Koji Igarashi — The designer who made getting lost feel like discovery.

1997 — Konami, Tokyo

The Faces of Gods and Demons

Kazuma Kaneko — The demon artist who drew hundreds of gods from their actual faces.

1988–2023 — Tokyo, Atlus

The Village Built from Loneliness

Katsuya Eguchi — The game designer who turned the feeling of arriving alone in a new town into a game anyone could live in.

April 2001 — Kyoto, Nintendo EAD

The Secret in Every Song

Kazumi Totaka — The composer who hid the same secret in nearly every game he made.

1992 — Tokyo, Nintendo R&D1

The Sound of Being Alone

Kenji Yamamoto — The Nintendo composer who taught us what solitude sounds like.

1993 — On a motorcycle, somewhere between work and home

The Game That Learned to Cry

Yoshinori Kitase — The director who believed a game could make you cry, and then proved it.

January 31, 1997 — Tokyo, Japan

The Vacant Lot

Satoshi Tajiri — He didn't make a game about monsters. He gave back a vanished summer.

The field where Satoshi Tajiri caught beetles is gone. He built it back for children who never saw it.

The Man Who Stayed Behind the Curtain

Takashi Tezuka — The director who built worlds alongside Miyamoto, yet never stepped into the spotlight.

1984–2026 — Osaka to Kyoto, forty-two years

The Familiar, Made Strange

Keiichiro Toyama — A graphic artist who taught the world that the scariest thing is never the monster — it is the familiar street, tilted just slightly wrong.

February 1999 — North America, nine days before Japan

The Rule He Broke

Eiji Aonuma — The designer who broke every rule The Legend of Zelda had ever held — and who barely played video games before Nintendo hired him.

1999 — Nintendo EAD, Kyoto

The Tower, and the Trust

Akitoshi Kawazu — The creator of the SaGa series. The designer who refuses to hold your hand.

Makaitoushi Sa·Ga, 1989 — and the design of not giving

The Contest That Made Dragon Quest

Yasuhiro Fukushima — A real estate publisher who had never played a game offered ten times the going prize money — and the creators of Dragon Quest walked through the door.

Autumn 1982 — Tokyo, Japan

The Woman in the Castle

Kinuyo Yamashita — The composer who wrote the music that everyone knew, in a castle where almost no one knew her name.

September 1986 — Konami, Tokyo

The House on the Hill

Shinji Mikami — The director who understood fear from the outside, and built a house from it.

March 1996 — Shinji Mikami's first finished mansion

The Postcard

Koichi Sugiyama — The composer who changed the sound of Japanese RPGs — because his wife mailed a card he almost didn't send.

Tokyo, circa 1984

The One Who Kept Making It

Masahiro Sakurai — The director who walked away from security to serve the player, again and again.

August 2003 — Tokyo, HAL Laboratory

The Last Bet

Hideo Kojima — The man who turned limitation into design, and started over at fifty-two.

December 2015 — Tokyo, Shinagawa

The Forty-Seven Million Dollar Bet

Yu Suzuki — He spent more money than any game had ever cost — to recreate something completely ordinary: a teenager's hometown.

December 1999 — Yokosuka, Japan

The Man Who Asked What He'd Built

Masayuki Uemura — The engineer who designed the Famicom.

July 15, 1983 — a red-and-white box, ¥14,800

The Programmer Who Became President

Satoru Iwata — The man who never stopped being a programmer, even when his business card said president.

December 1992 — Yamanashi, Japan

The Cave and the Garden

Shigeru Miyamoto — The boy who spent a summer inside a cave, and grew up to put that feeling into a game.

Summer, circa 1961 — Sonobe, Kyoto

The Final Wager

Hironobu Sakaguchi — The man who named his last hope 'Final Fantasy' — and then had to keep making it.

December 18, 1987 — Tokyo

Tajiri's Six-Year Bet

Satoshi Tajiri — The man who turned his childhood bug-hunting into Pokémon.

February 27, 1996 — Tokyo

Yamauchi at Twenty-One

Hiroshi Yamauchi — The 21-year-old who took over Nintendo and ran it for 53 years.

April 25, 1949 — Kyoto

Yokoi's Last Morning

Gunpei Yokoi — The Nintendo engineer who designed the Game Boy.

October 4, 1997 — Hokuriku Expressway, Ishikawa Prefecture